• 100mm faders with mechanical PFL overpress
• 12 A/B Layers, providing 24 possible assignments for each fader or control
• Colour-changing rotary knobs to indicate function
• Touch screens controlling i/o, monitoring and routing
• 680 channel processing paths (Artemis Shine), 456 channel processing paths (Artemis Ray), 340 channel processing paths (Artemis Beam), 240 channel processing paths (Artemis Light)
• Up to 16 x stereo or 5.1 surround main outputs
• Up to 48 x mono, stereo or 5.1 surround audio groups
• 64 x multi-track Buses for IFB or recording (48 x on Artemis Light)
• 4 x track sends per path
• 32 x auxiliary Buses (24 x on Artemis Light)
• Up to 4 x Direct Outputs/Mix Minus sends per path
• Direct outputs can be pre-EQ, pre-fader or post-fader
• 3 x independent user sections with independent monitoring
• All channels and groups have 6-band parametric EQ
• All channels, groups and mains have full dynamics
• Side Chain EQ/Filters
• 256 x Inserts (128 x on Artemis Light)
• Up to 2.73s delay per Output from a pool of 256 channels on Artemis Shine (128 channels on Artemis Ray, Beam and Light)
• Up to 2.73s delay per Input from a pool of 256 channels on Artemis Shine (128 channels on Artemis Ray, Beam and Light)
• All paths have 2.73s delay in addition to input and output delay
• 12 fader layers, each with its own A and B paths
• 8 x AutoMixers, each controlling an unlimited number of paths
• Advanced AutoFader (AFV) functionality on all faders
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